We are excited that the Costco Connection has written a story about mixed race artists and the Mixed Remixed Festival. The reporter Hana Medina really captured what the Festival is all about!–Heidi Durrow, Festival Founder
You can also download a copy of the article here.
Interview with Multiracial Filmmaker Jason Cuthbert
Not to many people relate to the multiracial experience or the stories of their mixed friends, this is why forums for open discussion and collaboration are so important. These may take the form of literary festivals such as our beloved Mixed Remixed or may be told through artistic presentations. It’s not always easy explaining your personal experiences to a wider audience who may have no idea where you’re coming from, but the effort within this community is still invaluable to thousands around the globe. With that being said, let’s meet Jason Cuthbert – writer, director, filmmaker, and multiracial dude!
His upcoming documentary circling his, like many other biracials, experiences hopes to tackle the issue head on in a new and refreshing light. His team is a wonderfully diverse and highly educated group whose dedication and incredibly precise work ethic will bring you a film that is multidimensional in context and that combines subjective perspectives with objective experience.
Why is telling the story of the multiracial experience so important to your team, as is evident with your current project?
Multiracial and interracial experiences effect each and every member of our team…directly! My brother James, my sister Teisha and myself are biracial: African Trinidadian (father) and Caucasian American (mother). Francesca D’Amico (Ph.D. candidate, producer, researcher, educator), an Italian Canadian, not only teaches hip hop culture and African American history, but she has personally felt the social obstacles associated with her own interracial relationships. My sister-in-law Jessica Molina-Cuthbert (Ph.D. Candidate, researcher, educator) is El Salvadorian American, and is not only well versed in the effects of race and the American penal system, but she is also raising multiracial children with James. And my brother-in-law Fabian is Puerto Rican American (IT computer network systems) and has mixed race children with my sister. There is plenty of racial ambiguity going on over here.
What do you hope to achieve by producing such a dynamic film?
How would you describe it?
Race needs a real reality check. As rusty, ugly and outdated of a concept that it feels to be in 2015, why do we all still buy into it? “COLOURING BOOK: The Mixed Race Documentary” aspires to define, dissect, document and direct a dialogue about the value of race from not just those that study it, but by those whose identity exceeds its boundaries.
Do you think the growing multiracial community has the power to inspire positive change/enlightenment (through diversity and loving one another across colour lines)?
As mixed race people, we are the living, breathing proof that the concept of race doesn’t really work and may be unnecessary. We are those blurred lines, the colours in-between colors, the reds and blues that make purple. With “COLOURING BOOK: The Mixed Race Documentary” we are pushing to give a voice to those who feel just as excluded from the racial discussion as I did while growing up.
A question for Jason (if possible), what has it been like coming from a mixed family and how did it influence your creative perspective as a writer and director?
I grew to truly love the cultural crayon box that my family is. My love of all cultures comes from experiencing them first hand, whether they were part of my family tree or our diverse social circles. But as a child, I just wanted to fit in. Point blank. But being “normal” was never a reality for me. Racial boxes were rigid and I just didn’t fit. It also didn’t help that I rarely saw myself, a mixed kid, on screen in my favorite films and television shows. To this day, I write and relate to underdog characters in my stories, inherently, even if race has nothing to do with their story, because I felt like a strange foreigner in my own city.
What’s one of the biggest frustrations/misconceptions within the mixed community that you want to bring attention to with this film? If any.
I am not subscribing to stereotypes…like cancel that subscription…immediately. And just like any other racial category, we the “non-race” have some horrible stereotypes too. There is that super corny idea that mixed race people are more “beautiful” and “desirable,” and that we all feel we are better than everyone. Mixed race, or light skinned black, whatever you want to call me, …by no means do I feel that I’m any better than other humans of a darker complexion. You will not see me laughing at or co-signing dark-skinned jokes. Not-at-all. That divide and conquer mentality doesn’t work with me. Dark skin is gorgeous.
What can people who may not be directly part of the multiracial experience learn or take away from Colouring Book?
Our world is becoming more like a coloring book. Like those innocent years when kids use whatever colors they want, before they are taught to make tigers orange and make grass green. Mixed race may come to a shock to those that would rather see life neatly left in black and white instead of full color. We all need to get over ourselves. We have biases that we have learned, not that we were born with. Diversity training is not just for people in the racial majority. We ALL need to “colour” each other in by behaviors, talents and personalities rather than by which shade we were painted with in the womb. Race affects everyone. When diversity wins, we ALL win because it means we are relating to each other as a shared loving species, not as divided, hateful and inhumane beasts.
Mixed Celebs: Lianne La Havas
Lianne La Havas is one of the few soulful voices of our generation that maintains her classic style and regal elegance while remaining contemporary and in the loop. She was born and raised in London, England to an Afro-Jamaican mother and a Greek father.
The unique melting pot that is London played a very interesting role in shaping the way young Lianne would grow up to see race, identity and culture. The following is a brief snippet of an interview she did a while back with noisey.vice.com’s Kim Taylor Bennett.
“This subject really interests me. I knew that I was brown, let’s say, but I never felt like I belong necessarily to any racial group. At school, there would be a lot Muslim girls hanging out with other Muslims and a lot of African and Jamaican girls hanging out together. That was never my thing: to be part of a group that you’re the same as. A lot of it was music related too, like goths and grunge kids. I was with the group that wasn’t with any other group. It had an African girl, some very English girls, a Bangladeshi girl, and it didn’t really matter. We all knew where we came from, we knew our parents were from different places, we just thought that we were all hilarious and we hung out with whoever we thought was the funniest. Doing what I do now and seeing the plethora of creeds, colors, and religions I’m reaching with the music I’m making—it’s amazing. This is going to sound cheesy, but I think the beauty of music is that it doesn’t see color. The kind of music that I’m doing comes from many different worlds. I like to think that it doesn’t matter anymore.”
Her very refreshing take on what race should mean is not the only colourful thing about this young lady. As previously mentioned, her regal style that incorporates modern twists surely mimic the thoughts of a free-spirited city gal.
Lianne on her first style inspirations:
Really early on it was the Spice Girls. Scary Spice in particular. I liked the leopard print and it stuck with me. I can’t really think of anyone else when I was growing up that had that kind of natural hair.
Just having natural ringlets and that being really beautiful. I was attracted to her hair, the leopard print, and she had a lovely face and body shape. I just wanted to be like her.
Diane Keaton in Annie Hall is also one of my style icons. The way she comes across is still very feminine, but kind of a slouchy and casual tomboy. I really like that and mixing it with more of a Whitney Houston-in-the-90s look and Hilary Banks from Fresh Prince—they’re both style icons.
Stay tuned for an upcoming feature on Scary Spice herself! #multiracial #MixedRemixed
Presenter Spotlight 2015: Writer Mat Johnson
Mat Johnson
Panel: What’s So Funny About Being Mixed?, Tateuchi Democracy Forum, June 13, 2015 1:00pm-2:20pm
Featured Writers Reading , Araki Community Education Center, June 13, 2015 3:00pm-4:00pm
Mat Johnson is the author of the novels Loving Day, Pym, Drop, and Hunting in Harlem, the nonfiction novella The Great Negro Plot, and the comic books Incognegro and Dark Rain. He is a recipient of the United States Artist James Baldwin Fellowship, The Hurston/Wright Legacy Award, a Barnes & Noble Discover Great New Writers selection, and the John Dos Passos Prize for Literature. Mat Johnson is a faculty member at the University of Houston Creative Writing Program. His most recent novel Loving Day was released in May 2015.
Mat Johnson on-line:
Twitter: @mat_johnson
Facebook: https://www.facebook.com/matjohnsonpage
Website: matjohnson.info
Presenter Spotlight 2015: Filmmaker Dmae Roberts
Dmae Roberts
Short Film Program
June 13, 2015 10am-10:50am with Filmmaker Q&A
Mei Mei, A Daughter’s Song is a cross-cultural tale of a mother and daughter separated by language and culture, yet bound together for life. (Running time 26 minutes.)
In 1990, producer Dmae Roberts won a Peabody-award for her radio documentary, “Mei Mei, A Daughter’s Song.” It was the first bi-racial and Taiwanese-American radio documentary on public radio. 25 years later, she created a half-hour film using the audio documentary “Mei Mei” as the soundtrack.
Mixing live action, animated effects and archival footage, “Mei Mei” tells the story of Dmae and her mother as they travel to Taiwan together after a long absence.
As Chu-Yin Roberts’ story unfolds she reveals the abuse she experienced when she was sold into servitude at the age of two and her hardship growing up during World War Two. She talks about the female Buddha who saved her life. It soon becomes clear the tensions they experienced with each other had to do not only with the always-complicated mother/daughter relationship, but also the fact they were of different cultures yet intrinsically tied together because they were family.
This multimedia film is the 25th anniversary of the radio documentary that originally aired on NPR, BBC, CBC and ABC.
Dmae Roberts is a two-time Peabody winning radio art/writer whose work often airs on NPR. Her work is often autobiographical and cross-cultural and informed by her biracial identity. Her Peabody award-winning documentary Mei Mei, a Daughter’s Song is a harrowing account of her mother’s childhood in Taiwan during WWII. She recently adapted this radio documentary into a film. She won a second Peabody-award for her eight-hour Crossing East documentary, the first Asian American history series on public radio. She received the Dr. Suzanne Ahn Civil Rights and Social Justice award from the Asian American Journalists Association and was selected as a United States Artists (USA) Fellow. Her stage plays and essays have been published in Oregon Humanities magazine, But Still, Like Air I’ll Rise (Temple University Press), Reality Radio (UNC Press), Alexander Press and The Sun Magazine, Where Are You From? by The Thymos Group and Mothering in East Asian Communities book collection by Demeter Press. Roberts has been writing a personal column for the Asian Reporter and been hosting/producing Stage & Studio on KBOO FM. She is the executive producer of MediaRites Productions in Portland, Oregon.
Dmae Roberts on-line:
Twitter: @dmaeroberts
Facebook: https://www.facebook.com/meimeifilm
Website: http://meimeiproject.com/
Presenter Spotlight 2015: Kaia
Storyteller’s Prize Presentation & Live Event, June 13, 2015, 6:30pm-8:00pm
Kayla Briët, also known by her stage name Kaia, is an 18 year old self-taught filmmaker and musician of Native American Prairie Band Potawatomi, Chinese, and Dutch-Indonesian descent. Her short films have taken her to the White House for the First-Ever White House Film Festival, where she was invited to meet President Barack Obama, Bill Nye, and Neil DeGrasse Tyson, as well as to NYC where one of her films was screened at the AMC Theatres Times Square for the 2014 All-American High School Film Festival. Her work has also been awarded at the MY HERO Intl. Film Festival (Santa Monica) and Intl. Student Film Festival Hollywood, and her work in science/educational media has been awarded by organizations such as ProjectEd, ACS, and FASEB.
As a multi-instrumentalist and self-taught composer, Kaia scores her own films and loves making music in styles ranging from cinematic to alternative pop. She is constantly inspired by the beauty of culture and the journey of finding one’s own voice. Her biggest aspiration is to inspire self-worth and self-confidence in others and make a positive impact in the realm of education and the arts.
Kaia on-line:
Twitter: @itskaia
Facebook: https://www.facebook.com/
Instagram: @kaylabriet
By Keri Wilborn
Get Good Karma and Get Great Books!
We’re so lucky that Algonquin Books has provided 5 sets of the wonderful PEN/Bellwether Prize winning books for you to have if you donate to the Mixed Remixed Festival. Plus you get a Festival tshirt! How can you beat that? Get good karma and get great books and support the Festival you love!
VIP Reserved Tickets to the Storyteller’s Prize Presentation 2015
This is a perk you really shouldn’t miss out on! We have an amazing show lined-up for this year’s Storyteller’s Prize Presentation and you can have 2 reserved VIP seats with a contribution to our Indiegogo campaign. We only have 20 of these perks available!
This year we’re honoring The Daily Show’s Al Madrigal who recently produced the wonderful special Half Like Me AND New York Times bestselling writer Jamie Ford author of Hotel on the Corner of Bitter & Sweet (which has sold 1 million copies and counting!) and Songs of Willow Frost. They have both confirmed their attendance and we couldn’t be more excited!
HURRY! Donate now!
Screenwriters & Filmmakers: Get a Subscription to the Black List & Support the Festival
This is an amazing perk for aspiring filmmakers and screenwriters: you can get a 3-month subscription to The Black List with your $200 donation to the Mixed Remixed Festival Indiegogo campaign.
The Black List offers mentorships, workshops, fee-based script-coverage services and a free and comprehensive database of scripts ready to be paired with a prospective producer, financier, agent or manager.
Founder Franklin Leonard has said: “We’re the eHarmony of the moviemaking business.”
Take your writing to the next level and support the Festival. Donate now!
Support the Festival & Get Mat Johnson’s new novel Loving Day
Mat Johnson is an all-time Mixed Remixed Festival favorite. He’s the author of the amazing novel, Pym, a frontrunner to receive the (unofficial) People’s Pulitzer, and the graphic novel Incognegro among others. His highly anticipated new novel, Loving Day, comes out in May and you can get a copy with your contribution and support the Mixed Remixed Festival.
Don’t miss out on this great perk only 20 copies available!
For a $30 contribution to the Mixed Remixed Festival Indiegogo campaign you’ll get a hardcover copy of Mat Johnson’s highly anticipated new satiric novel, Loving Day, about a gathering of multiracial families and individuals that transforms into a self-governing utopia for mixed-race folks and blended families. And don’t forget you’ll also get a social media shout out, and your name listed in the Festival program.
This is what folks are saying about Loving Day:
“Writers who are as smart as Mat Johnson are rarely as funny, and those who are as funny are rarely as smart. He is unique, and simply must be read. Loving Day, a tender, ribald, fast-moving novel, is the perfect place to begin.”—Teju Cole, author of Open City
“Hilarious, sometimes discomforting, always brilliant, Loving Day tackles with heart and sly humor identity, family, and finding that elusive place where you belong. This is an awesome, viciously witty novel.”—Roxane Gay, author of Bad Feminist and An Untamed State
“Loving Day is wonderful satire, sharp and funny about so many contemporary themes and anxieties, including race, money, family, sex, and love. Mat Johnson has a deep comic gift, and his laughs always come with real thought and feeling.”—Sam Lipsyte, author of The Ask and The Fun Parts
“This is what happens when races mix: Mat Johnson. Not a soul or a post-soul is spared in his brilliant and hilarious satire of modern American tribalism.”—Danzy Senna, author of Caucasia
“Genius! Mat Johnson is hands-down one of my favorite novelists writing today. He writes about the difficult stuff—the stuff that matters—in the most humorous and heart-wrenching way. Loving Day is Johnson’s triumph and a reader’s great joy.”—Heidi Durrow, author of The Girl Who Fell From the Sky
“Since this is a book by Mat Johnson, one of the best American satirists since Mark Twain, I don’t have to tell you it’s as funny as it is smart.”—Emily Raboteau, author of Searching for Zion